Video
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From Castle and Cottage
MRCD-014

Torbjörn Näsbom, nyckelharpa (keyed fiddle)
and Andreas Edlund, cembalo (harpsichord)


During the golden age of the harpsichord, the nyckelharpa (keyed fiddle) was still only a simple folk instrument. Later on it has undergone a radical development. As the nyckelharpa has now reached the same technical level as the upper-class instruments of the 17th and 18th centuries, it is time to present it to the harpsichord.

Two skilled musicians make it clear that the two instruments get on extremely well together. In a well-mannered and convincing way they bring out the contrasts in the baroque music and the elegance of the Rococo style. Their devoted treatment of the ordinary nyckelharpa repertoire also makes us realize that essentials of those earlier epochs are living on in Swedish folk music. The moat between castle and cottage is bridged and no longer an obstacle!
The commentary is written by professor Jan Ling who has been cherishing the nyckelharpa since the 1960's.

01. Kyrkmarsch (Church March)
Olof Jansson
02. Vårdroppar (Spring-Drops)
Eric Sahlström

Sonate C-dur (orig. for Viola da gamba & b.c.) C. Ph. E. Bach
03. Andante
04. Allegretto
05. Arioso

06.

Kyrkpolska (Church Polonaise)
Lars Näsbom
07. Stormyren (The Vast Marsh)
Eric Sahlström

Suite G-dur (orig. for Violoncello Solo) J. S. Bach
08. Prélude
09. Allemande
10. Courante
11. Sarabande
12. Menuet
13. Gigue

14.

Cinquième Prélude (from Les arts de toucher le clavecin)
Fr. Couperin le grand
15. La rêveuse (orig. for Viola da gamba & b.c.)
Marin Marais
16. Des 32 Couplets de Folies (Folia variations; orig. for Viola da gamba)
Marin Marais